Helmed by Portishead co-founder Geoff Barrow, this scabrous if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Poacher denying his container of scrumpy, intent on dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
There is only one key story turn, but it results in a comically executed chaotic run on the woodland paths that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film is in UK and Irish theaters from November 17.
