This is an often-repeated piece of advice in certain circles that jointly caring for a dog post-separation is a recipe for trouble. The consensus suggests such situations prevent ex-partners from finding closure, create logistical nightmares, lead to tension, and become annoying across the board. As it turns out, in a revelation suited to a direct-to-platform film, it reportedly leads to our furry friends to become depressed.
Without minimizing the inner life of dogs – many owners observe their profound sensitivity. To witness a masterclass in pet despair, consider recent cinema. There is little doubt that a dog like Merv, a wired-hair terrier mix played by Gus the Dog, would have a hard time coping with divided living arrangements. The idea of basing a feature-length romcom on such a setup holds water remains debatable at best.A Familiar Formula
To its credit, Merv, crafted by its screenwriters and under the guidance of playwright Jessica Swale, never aspires to be anything more than what it is. It functions as a Christmas movie from a major tech-and-media conglomerate – the complexity is limited. Its storyline unfolds as straightforward: former spouses Russ (Charlie Cox) and Anna, portrayed by Zooey Deschanel, realizing that their post-breakup gloom is matched by their dog's, take a uplifting getaway to a canine-centric retreat. Once there, as expected, they will presumably rediscover the idea that they are better together. Side characters – featuring a group of comedic actors – are crafted as the usual assortment of types. Visually carries the feel of a streaming service original, with a holiday backdrop that is obviously artificial – as seen in flurries clinging to verdant foliage as a summer location stands in for a cold December city.
Where the Film Shines
If these familiar elements come together into something enjoyable hinges on the strength of the performances and an acceptance of comfort viewing. For the comfort factor, Merv knows its audience – individuals who browse regularly for dog videos. The film delivers a plethora of canine-centric sequences. The primary selling point is Merv himself, and while this leads to some awkward editing between animal action and human reaction, the movie succeeds in showing canine party antics, canine sorrow, and, in the end, doggie joy.
Where It Wobbles
This level of success is not earned for the romantic plot. Its style vacillates between serious study, zany antics, predictable love story, and physical comedy, not quite landing any one mode. No blame falls on Charlie Cox, who is fully game the silliness and cringe inherent in the dog resort scenario. Cox exhibits a charming humility that supplies much of the film's charm for this on-the-rocks couple. Zooey Deschanel, in her typical fashion, brings a particular brand of eccentricity that will be to your taste or not. The character can feel a touch too detached, especially when paired with Cox's heartfelt sincerity. (For what it's worth, Gus the Dog manages acting depressed – not quite Messi from that acclaimed drama, he's definitely a scene-stealer.)
The story strives to provide depth to the central romance for sequences focusing solely on them – which is unfortunate, considering Merv is undoubtedly the most adorable aspect of this film designed for charm. Unsurprisingly, it just about gets by. The catalyst for the split could have been more adult and realistic with more screen time and fewer direct statements. In the end, Merv is gentle and pleasant, fulfilling every expected note. Making a film on this shared-custody premise has potential – though it's hardly a brilliant concept.
- Merv streams on Amazon Prime Video starting December 10.
